So since I'm doing a little dirty poor, I thought we would go ahead and film it. Craft sticks – these come in lots of sizes and qty. I have a little butane torch that I got the art store, and it comes with own little butin filler. That's really different and cool. All right, I'll see you back in class. I will say on the sides, this is the one where I had the two different flow mediums that look with the flow troll and the liquid text. Rather than just dump it all out, do two canvases at the same time and make that a better use of all that paint rather than wasting some of it. Like I love this bit of color here and the fact that there's a large swath of color with all of these colors intermingling in that swath. On top of that, if you're doing the liquid Tex method again, you could still put some silicone in there cause then you'll have other little cells creating around these. And when you're laying colors like this, you will be real careful that you're not laying colors that create mud. Look how beautiful that one is. All right, So what? I mean, I'm kind of amazed how different each of those is. So I'm gonna go ahead and not touch the top like I have done on some of my very favorite pieces and mistakenly thinking the paint was dry. And then the paint will peel out of the cup after a couple of days. N’allez pas plus loin! Do we love the composition, or do I want to tilt it any further before I tortured and create some kind of skin on top? So if you pour a piece and then you think, Oh, I don't love it, let it dry anyway, because when you revisit that the next day, you may change your mind and discover that you like it more than you thought you did when you see the final dried piece so loved that technique. Oh, so I have the, uh, liquid text black color. You get that tree ring kind of look there, um, and it's a little bit different than if we were to do the same poor mediums, the liquid tex or the PV a glue and used the silicone oil. I'm going to tell you the different services that I experimented with here, um, kind of in the background of class so that I could then show you how that works for you and the very 1st 1 that I experimented with. But you can get strangers at any place that sells kitchen supplies to. So lots of different paint options for you to think about, including the cheapie folk art or Martha Stewart in these cheap craft paints that you could think of. It's not like you're using the whole container for one project, um, and then you can also use, um, the high flow, which is the super liquidy paint, Um, and again, these air highly pigmented So would be less paint in your mixture that you'd be required. Not the way I wanted him to end up. Pour It On is a unique art studio specializing in Acrylic Paint Art. The use of all the materials including fire is at the risk of the user. And then you move on up the line for people that want big statement pieces. So opposites are always fun and choice. I want to go ahead and have the whole thing be pretty vivid color. We'll just see what this looks like tomorrow when it's all dry. The level is determined by a majority opinion of students who have reviewed this class. You want to figure it all out and you don't want to break the bank. And again, you can use your hand to kind of keep some of that paint on your canvas as you're working your way around. So some of these air definitely easier than others. But if you've used a really nice quality canvas, I do see a lot of artists put the resin poor on the canvas pieces and not really have any trouble out of that. And I can see him start to form here where there's a lot of color, and maybe we'll just do a few of these up here. So I've got, like, a turquoise in a darker turquoise And then I've got titanium white and those are all fluid acrylics, acrylics that I'm using this time. A bite, which this is still a lot of pain. We have a little tiny bit of color, see, Pidge, but not very much. So that's pretty cool. On you don't have like a little skin that you've created on the top, so I know I said that whatever color we put on the bottom may be the most dominant color, but the way that we're pouring this on that could make that a false statement. This canvas is already primed, and I have painted green gold on the sides just so that it catches any. Because, as you can see, if you do that on a canvas panel, there's enough paint on this that it actually warped the panel and I just wouldn't recommend it. Look how pretty that is. You can also get that from the craft store. And then, you know, if you see little wrinkles appearing, then maybe stop and let it do its thing. And then it's ready to be a charm on a necklace. I'd in about I'd say, 20% of the gak 800 into that little mixture and then stir all those up, and that is a really nice mixture to experiment with. Look at that. But I really love the way these turned out and on the back to keep it from having paint sell on it. Don't throw it out. Just see if I can get the cells to come out. And then this is another one that I could consider definitely doing a resin coating on top because it is so beautiful and the layers and the details really pleased with that. We could even pair up like these three. I loved it. So this I'm going to do another board and I'm doing a flat hardboard panel, which have not done in class. And I've got him because I used him with my alcohol inks. If you have lots of extra paint like this and what really like is we can control where this pain to go in kind of. So the canvas I was using If you happen to have a Michael's near you, this is their quality three professional level canvas and I actually got really lucky. So I'm going to get his closes out, because I recall so have you done in Orange? I don't wanna really leave any extra paint left over Final have to Larry . And really, this is even questionable. And I've got a little container that's got just a really tight little tip on it. And definitely wait a day or two before you start touching it. Paint Teoh to your mix because it's so very pigmented. We supply everything needed for your first "pour!" So it started out with just about half the amount that I'm gonna end up with, probably of the glue. Eso can't wait to see this dry tomorrow, so I will be back. No artistic talent needed, just the desire to have fun! Take classes on the go with the Skillshare app. So some some pieces. And what I like about these little ones is it got nice safety feature. Now let's just pour the block on. Lots of choices here. And that's kind of the formulas that I'm gonna use throughout the class to create different projects. That is, those air so dramatically different than the other set that. So if we use the liquid tex or were probably the Elmer's glue the PV a glue method with water or the liquid tex with the Lok raising extender? Our unique format allows groups of 3 or more to schedule their own sessions any time during our studio hours. And Dylan, any spot that I feel like is a crater of the look. 18. How pretty that is just as a piece of art there. And make sure that ah, we can't get another crater out of it. Uh, not like the basket full of stuff I have over here is enough. But I do love how these colors are moving and meshing and doing their thing, and I also think that a lot of these really love the dirty poor. Oh, my goodness. And if you will put him in these little bottles and, you know, sealed still top closed. And that's the pretty part of these Is those sales of color. You can use a variety of products to finish your pieces. Event website . Published. And I still had a few boards left. That's kind of like a focal point. Each participant will have their o. Friday, April 2nd, 6:30-8:30pm Join Clay and Metal Loft’s newest instructor, Julia Bay and learn all about Acrylic pouring. We're just rocking that around. So cool. You know, you could definitely experiment to with different techniques, but I love this little tipping dump, and then if you wanted to be a little more control, you could dump it like that. So super cool there. I'm gonna go ahead and touch these with my torch before I lift the other two. And don't forget to prime your canvases with your black or your white Jess. He's a T shirt like I did on the 1st 1 and drag our white on to the color. Okay. The prettier piece is on the back end, and the less work you have to do to clean it up to give it away or sell it or just keep it for yourself. But this definitely comes kind of close because these turned out stunning. And we all account pretty, that is. I could have tiny but more paint in the cup because it's the bigger size. Because this is on a cradle board and I like the deep six by six size. Vary your sizes and see what a collection of colors can do for you to make a whole set. And I'm using the fluid acrylics on this since that's what I have out So I'm going with some unusual colors again. And then I'm gonna set this to the side, and we're gonna let this one dry overnight and see what we get tomorrow. I ended up liking the jumbo. It's not wasted. And it's the kind where you would pour this paint on there and it would dip to the middle while you're resins gonna dip to the middle two. Oh, because I just realized I haven't done that yet, So I'm just gonna use White Jess. So I'm going to go ahead and put just so on this, and I will be right back. So I've just Jess owed on top of it, and I'm gonna have this available. Yeah. It may just be a drag of just like that, because that's actually really beautiful. Couple eight by eights. I'm actually glad that kind of happened, but that's what it looks like when you scorch your piece. Really? So I do love how this one turned out. It's nice. The goal is to let it be streaming right off your stick fairly easily. Your paint doesn't have to be with really tall sides, but I like it because those sides are about an inch toll, maybe a little bit less. You'll know that you have enough pain in there, so if you do this and you can see straight to it through to the wood of your stick, then you don't have enough color. WORKSHOPS Soap Intermediate Two Workshop $ 169.00. 12. A cup of blue red light, which is this pretty light pink color have also used this orange medium, which is this orangey color, and mixed up a tub of green, which is a birdie. Oh, my goodness. Definitely prime it. And I love the art resin because it does not stink, and it does not yellow. And then you would let that dry overnight, and then you could come back tomorrow with a soft cotton cloth, and you could buff that surface. how pretty that is. Flood Flotrol – this is a paint store product – It is an additive they put in paint to extend. Follow this organiser to stay informed on future events. Did you take the back off and then the back stays clean? This is another little experiment that white had the flow trawl instead of the liquid Tex. I'm just gonna layer these like we did on the little piece. The sticker piece here, the top coating sits below the lip of the vessel, which looks super cheap to me. All users are encouraged to read and use individual manufactures' use and care instructions that accompany any and all materials and tools. It do its thing? So if I drop any pain one in front, I can still have paint to swish on it. If we dip some of the pain on top, those dips will show up in our final piece. Please come dressed for mess. But after that don't stir it and you're gonna let that sit for a moment. That was even more paint than anticipated there. Definitely trying this theme. I want that. There's also this gambling cold wax medium, which is basically the exact same thing as the door linds. And then, as if all of that not enough, I'm going to show you how to make some things with your leftover runoff paint. Description. This was a little cheap. So now I'm gonna lay a whole bunch of white down here and drag everything down. Do a mixture of flow, trawl water and cheap paint, and then that is the least expensive route that we can go and we can. These air only six by six boards. This pattern is really kind of surprising, and not at all what I expected, because, you know, we pulled the pain over it, and I kind of expected there to be some pool left in it. And we have a beautiful piece that we made for necklace. So I'm just going to do a little flip and let the paint do its thing. Um, your pieces turnout because you get more adventurous. And once you peel this off of your paper, this is an acrylic skin, and we're gonna use the skins for our piece of jewelry. It's almost like I need more hands. That better, your piece will be at the end. So let's just pile this on and I'm doing a little bit bigger piece than I was just doing so I'm gonna at a tiny bit more paint in here and also liked it when the colors kind of mixed a little bit with this mixture. When you use them. But they did go ahead and spread out really pretty. That's a lot of paint. So I think going forward that's a really good experiment that tells me I probably should not be mixing two different poor mediums because they may not react well with each other on your painting. I'm just making sure I got all the sides mostly covered. You can use some supplies you have on hand also if you are like me and you have some paints and supplies already in your stash. You could do this with wet paper with a paper towel. He just won't be shimmery, and I did add a little bit of are silicone oil. Swipe all the edges. All right, I'll see you back in class. This evening we'll be 2 11x14 acrylic pour canvases. There was bronze. That's particularly fun. Eso this was the nine by 12. And I might have just put that on top of the Let's just do a few over here, just in case. We could do by, but I'm gonna do Why So I'm just gonna squeeze in about 20% of paint. The Pottery Factory is pleased to introduce our new acrylic pour workshop. You could give a gift to everybody at Christmas that, you know, um so this 20 pack from Amazon, I'll give you a link to that. But that hit that with the torch and see what we can pull out. Straight pour: all right, this video, we're gonna do a different type of dirty poor, and I think it's important for you to experiment on different surfaces. I could also take my straw and maybe blew it all out. See if we can coax a few more of these color craters. I go and pick this up. In that case, we and this is a light blue. But I love it. So where is the craft? What I was going for. So the only drawback to using these panels is that it's not completely flat anymore. But not all goto one side because, you know, once you walk away to let this dry overnight. But it looks like the glue medium that we used to mix all these paints in May have retracted some of those colors back. But you don't necessarily want to spend 50 bucks a canvas. I'm also going to do my favorite Dark, Deep blue, which is more of a dark teal than a blue. This is silicone, a will medium medium by Valero. Floral fall in a kind of image here. I use several small disposable cups I got from the grocery store in this workshop. More info at 570/251-1181 or info@theartfactoryofwhitemills.com. That one's pretty. So I've just poured about 1/2 an inch of liquid here into my containers. 5. But this time I remember tied my silicone oil to our paint so that we can see an example of a dip painting without the silicone sales and with the silicone sales. The Po Cup is just tipped and go on because the looks that you get it's just so unpredictable but super cool. And then I've got just a lighter color of pink and some white that I mixed up, and we're going to do this one completely different than say that we did the dirty poor and this is using the flood. This little corner is really cool. Acrylic Pour Workshop. But the sides of really yummy on this one And this is the one where I actually Jess, owed another piece of art to poor Krilic on top of it. So because I'm gonna flood it with white color, I've started with a primed white canvas rather than the black one. Well, you like that for now. I also got a level because whatever surface you put your piece on, if we have, say, two cups on here and then we've got our panel's sitting on here, we need to make sure that this surface is level both directions before we pour our paint. Really, You could just be like super prepared, Um, but I'm just going to start off pouring colors on the canvas, and there's no order to this on. There can just draw all through there, Really. Listen, was with the blow dryer also, But we got a completely different look. And I have the postcode pins and deco color, and I've got several colors. And if it's kind of early in the piece like we are now, you could come and scrape that back off. And because I'm using the flood, they should all cell make little cells themselves. You want the cup resting on one of these would straits. So in this one, I'm using an orange medium and a pale gold, and I know I've got two yellows here, but this one's metallic. I'm just gonna go ahead and try to keep some of that paint on the canvas rather than letting it all fall off the canvas. These I just got at the Michaels. And then we might just go ahead with our torch and see if we can pull any other air bubbles out of that. I also experiment with my little air compressor I got off amazon that you might want to look at too. Then the magic begins! So very, very inexpensive. You can get these are the art store or the hardware store. All right? We laid the paint down versus how we laid it down on this one. share Say YES to the MESS! I may go ahead and do, like a little poor and then a little poor and come back because that white is on the top here. Then what? I'm gonna just kind of come over here with my, um palette knife and see if I can get these edges completely coated because I don't want the black showing up underneath the drip lines. I do have some art resin available here in my art room. You don't have to have a tray if you want to have a couple of short cups and have the cups on the tray. You could also do acrylic pours on cradles aboard. The colors that I've got out here and then also might use a white or a black, which I've already got mixed up in my a little bit larger containers. I feel like this is gonna be very green when we're done. And trying to get that last corner there. I love the way the sides are finished. So I want to encourage you to think bigger than the one piece of art that you're doing, which is really one of the best reasons that I personally love doing the art journal, because now I can revisit this color over and over. I don't know. I do like the way it kind of did there that might show up even better if I'd had more colored paint in there more so than the white. Like I can see inside the cup here. Those turned out pretty cool, too, and they're a little more dramatic two in the other poor medium. It's very not real showy and the colors and everything, but it just looks like a peacock feather or a subtlety of color. I didn't mix a little extra paint in this and I don't mind if I'm dripping onto my Candace cause I'm about to lay a bunch of paint on the canvas. They're gonna be my extra two extras and I'm gonna go ahead and get each couple working. Show that to us and I will see you back in class. That's pretty pretty. It did not do what? Art Journal: I think this is a piece that I was just experimenting with here in my art room and what I want to tell you about that I want to encourage you to do from the very first piece that you poor is start to write down in a little journal. Mess it again just because that's what I've got all my paints in. It really dries the very top coat of the, um, uh, acrylic paint and makes almost like a skin. Um, so this gives you are really ah, thick high gloss coating to your piece, which I love that finish. So I'm just going to tap some color into that spot so that we don't have a great big white thing in the middle of our pretty blue and brown paintings. 24. And they're still, I think gonna do OK, but they do have ponds and tons air bubbles in here, so tap the air bubbles to the top, pulling to the side and pop him with your stick. You can also do a thin coat of Dorland’s cold wax medium to finish your piece. You just don't want it to be something thin and flimsy. You know, you could even do like a set of four small words. All right, I will see you back in class. And it really doesn't matter which medium you decided to go with. But until you start experimenting, you're not going to know what it is that you're gonna love the best for your own art. So I just get a little dab of all the colors. This is a prime Dwight. So get something else. So I'm using fluid acrylics and with fluid acrylics on this chief mixture. But if you end up with not enough paint on a bigger can just like this, uh, that's gonna suck, too. This is the flow troll mixture, cause that's what I had mixed up when I was pouring the little ones. But anyway, pretty thrilled, even though that wasn't at all. That leaves you with a paint skin when you're all done. So I hope I've convinced you on the art journal that this is such a valuable little thing that you can do is you're pouring your paints because then you can go back to things that you love. And if you think that's a lot of paint for what we're trying to do, have that paint and do two pieces or something out of it like I just did, because that's pretty cool. So just keep in mind if you do a pore over some other piece of art that, you know, wander, like if you did a bunch of mark making and stuff, you're going to see those marks in this finish because this is not really, like the resident doesn't stay. 29. All right, I'll see you back in class. And so it's totally addicting, like I just cannot help myself like now I want to go in order more boards. And if we're in kind of this red violet range, which is what this color here is, we're over here in this green yellow, which looks just like the green gold color of paint. How do they compare to the liquid text pouring medium or whichever a brand pouring medium that you go with because there's a couple of brands out there. Is looking really pretty. And I'm just throwing that purple in because and then we've got some of this gold. Look at that. Let that paint dry, and then you just peel the paint out out of the cup, and then you can throw that dried pain away. Apparently. And while that was a lot of pain, for one, it was questionable, as if it was enough pain for two. I want to mention I have this sitting on a dish plate rack sitting right on top of a piece of wax paper. After all, it does dry pretty fast. And I just want to maybe let that sit another day or two before I actually touch the top with any force. Another thing I want to mention you want prime Any canvas panels you're doing to any panel it'll that you're working on, whether it be flat or with a side. All right, so I'm gonna start. All right, so let me change out my gloves here, since I have and then let's experiment with silicone oil, show you some cool things that you get. You probably want prime that surface before you core the accruing, going it to keep the wood from producing a lots of extra air bubbles in your paint. Okay, so one inch glass rounds If you go with this fun little 20 pack from Amazon, look, I mean, here's what snowflakes. And so since I have it, I thought, Well, that would be fun to experiment with here, with the paint pouring also and might save me blowing through a straw quite so much. I'm trying to make sure all my air bubbles air out of here before I start pouring. Tex, if you have that in your budget, or just start off with the glue and the flow trawl if you want to stay pretty inexpensively to start with, because the looks that you get from each of these mediums is really quite dramatically different. But you don't have to have that to get started, because I noticed on a lot of these, as I was pouring it on the set, a lot of these sales cells just naturally came out from my mixture without me having to put that torch to it so you can start off without it, and then when you want to advance to Mawr advanced techniques, then start playing with little torch. But you can throw away dried pieces of paint like what you get out of your cup after it's dry. So I'm going to start it off in a cup and just squeeze my colors in and do some layering here of color. You can get creative for what you use to catch your paint – you don’t have to use exactly what I’m using. Air Blowing 1: got a completely different technique. Inx s o. Satisfying. And what I like about the bottle is you can just tip it out and be a little more uniform. I'm pretty happy with the way that turned out. But if you go with the super duper cheap canvas is, the center is likely to dip mawr. And you need to go ahead and move up to a cradled board because, uh, it doesn't really matter how good equality to Candice's. Blow pour 5: do another little blow. What is dumping like that? Let's go ahead and touch all our sides here to make sure we've got group. So on this video, I'm using a nicer quality artist's canvas piece, and we want to go ahead before we start pouring paint thing only take the gloves back off. By. So we don't have any of the cells on. And when that's dry, you can appeal out your bucket and throw it away. And then I'm using my little craft stick to kind of scrape the edges that I wanna waste any paint if I can help it. Now that's dry, Theo. Um, and really, I'm just gonna come back over here. So it is really super helpful to go back and be like, Oh, yeah, I love these. Skip to content. We can do, um, like a cry lawn varnish on a non yellowing type. Doing Dip pour and dirty pour: in this video, I'm going to do another dip painting. And then we have the silicone oil and some silicone oil cell medium, two different silicone oil choices that you confined at the art store, and this stuff goes a long way. All right. Stream or download to watch on the plane, the subway, or wherever you learn best. Look how cool. 3. I’ll go over safe ways to use a torch and fire safety – since you will be possible using a small torch to coax your paint to create pretty cells and pop any air bubbles. When you mix it up, you're gonna mix a color and then pour all your colors perhaps into, uh, uh, one of the colors and then pour those into your canvas. The way it came out. And it also doesn't really stink, so it's not toxic. I want to talk a little bit about torch safety. All right, so this one is now mostly dry. I do like that. So kind of reminds me of maybe the ocean. Completely different look than what we just did with the tip of the cup. So it's actually still a tiny bit wet cause I've only waited overnight to come back and show us how this piece has turned out and we're stuck a little bit to our cups, and I hate to force it at the moment because I don't want to accidentally touch the top like I did with the other piece that I showed you where I touched the top with my thumbs. All right, So I hope you love that one, and I will see you back in class It doesn't let any of the bubbles come up, and then you can't really manipulated any further after you've hit it with that heat gun.
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